湖北水彩画地域特性研究对中国水彩画发展具有重要意义。
2003年由四川美术出版社出版《葛伟杰。水彩。水粉》个人画册；
1914年郑曼陀独创的“擦笔水彩画法”受到时人的普遍欢迎，从此便在月份牌画中广泛采用。
但具体到各个国家的水彩艺术创作中，实现的手段及途径又各不相同。
我们通过对国画和水彩特点的对比学习来重新认识水彩画艺术。
1·One looked everywhere green scene, like a watercolor painting.
一眼望去，到处都是一片绿景象，就像一幅水彩画。
2·On both sides also planted the willow, willow trees by the wind, uncle a "hair" like a comb hair, playing with the wind, still kind of green grass, red flowers, like a watercolor painting.
两岸还种着柳树，柳树被风伯伯一吹，“头发”像在梳理头发似的，随风飘舞，还种着青的草，红红的花，好像一幅水彩画。
3·Watercolor painting is compared to the lyric and light music.
水彩画被喻为抒情诗、轻音乐。
4·A special clay containing iron and manganese oxides, used as a pigment for oil and watercolor painting.
一种特殊的粘土，含有铁和氧化锰，用作油画及水彩画的一种颜料。
5·I prefer oil painting to watercolor painting.
比起水彩画我比较喜欢油画。